The reverb is generally known to be on the brighter side and the ‘vibrato’ effect is perfect for creating both slow and fast atmospheric pulses.Ĭonfusingly, Fender mislabelled this effect. In general, the clean tone coming from this amp has shimmering treble and full bass, while the natural overdrive allows for a fat overdrive tone with deep sustain. The Fender 65 Princeton Reverb is known for its heavenly clean tones – some of the best in the business. It’s also equipped with Jensen Special Design C-10R 10” Speaker. These are all high-quality parts in particular, I love how the 5AR4 rectifier warms the amp up gradually to the high point voltage. In terms of tubes, the 65 Princeton Reverb comes with three 12AX7s, a 12AT7, two 6V6 tubes, and a single 5AR4 rectifier tube. This amp stays true to the original, and this is a big part of why I love it so much. You’ll notice that even though these are recent versions of the classic amp, there are no modern digital functions or fancy effects like chorus and flanger ( click here for a refresher on chorus vs flanger vs phaser) ( click here for a refresher on chorus vs flanger vs phaser). It comes with volume, treble, bass, vibrato (tremolo) speed and intensity, and reverb depth – a total of six knobs. The 65 Princeton Reverb has a classy design and includes two instrument inputs. Even after so many years, these amps have kept their classic look, with the original vibrato effect and spring reverb intact. They were first manufactured as practicing amps by Leo Fender, but they are now regarded as excellent studio amps as well. Fender’s 65 Princeton Reverb guitar amplifier is one of the most legendary amps in the business, and also one of the earliest, dating back to 1946.
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